M-Audio 37-Key Audio/MIDI Interface and Controller Ozonic Manual de usuario descargar pdf (Pagina 46)

APPENDIX 4

If you’re recording a full band, the FireWire 1814’s with its eight balanced

analogue inputs and four balanced analogue outputs, makes a better choice

(especially if you get the optional eight-channel Octane preamp). It also has

eight channels of digital input and output via optical ‘Lightpipe’ connectors,

along with word clock synchronization for seamless communication with

devices such as ADATs, DA-88s, and digital mixers.

Figure A4.30

FireWire 410 4-in/

10-out FireWire

mobile recording

interface.

Figure A4.31

FireWire 1814

18-in/14-out FireWire

Audio/MIDI interface

with ADAT lightpipe.

The FireWire 1814 and FireWire 410 both support up to 24-bit/96 kHz with

Pro Tools M-Powered. (When used with software supporting even higher data

rates, the FireWire 410 can output two channels at 192 kHz, and the FireWire

1814 goes so far as 2 × 4 analog at 192 kHz.) Both units have great dual mic/

instrument preamps, as well as dual simultaneously active headphone amps

with convenient individual front-panel controls and 1/4” outputs.

These compact studios literally fit in a backpack (M-Audio even make the

backpack) and are amazingly powerful and convenient for remote recording.

Again, the files you record at a gig, in the field or on the road are session-

compatible with full Pro Tools systems at professional studios around the world.

Figure A4.32

FireWire 1814 rear

panel.

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M-Audio 37-Key Audio/MIDI Interface and Controller Ozonic Manual de usuario Pagina 46