M-Audio 37-Key Audio/MIDI Interface and Controller Ozonic Manual de usuario descargar pdf (Pagina 32)

Figure D.10 Digi 002 Rear Panel.

Looking at the rear panel, you will find the inputs at the right and the outputs at the left.

The first four inputs accept either microphones through XLR connectors or line- or

instrument-level inputs through 1/4-in. jack connectors. Two switches are provided for

48-V phantom power—the first switches this on for inputs 1 and 2, whereas the second

switches it on for inputs 3 and 4.

This is something of a limitation if you only have one microphone that needs phantom

power. Fortunately, most dynamic microphones are not usually harmed if phantom power

is applied, even they do not need this. Unfortunately, ribbon microphones can be

damaged if you apply phantom power—so take care!

Note

So-called phantom power is used to supply the 48-V typically used to power capacitor

microphones directly through the microphone audio cables. Examples include the large-

diaphragm studio types like the AKG C414 or Neumann U87 models.

Inputs 5, 6, 7, and 8 just have 1/4-in. jack connectors, but individual switches are

provided for +4 dBu or –10 dBV operation. An Alternate Source Input for direct

monitoring of −10 dBV audio equipment, such as tape players or CD players, is provided

through a pair of RCA/phono sockets for left and right channels.

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M-Audio 37-Key Audio/MIDI Interface and Controller Ozonic Manual de usuario Pagina 32