M-Audio 37-Key Audio/MIDI Interface and Controller Ozonic Manual de usuario descargar pdf (Pagina 51)

outputs are underneath again, in the form of a pair of 1/4-in. TRS jacks that can provide

either balanced or unbalanced analog output. A pair of analog inserts is also provided

through 1/4-in. TRS jacks to allow you to hook up outboard processors while recording

to disk. The final two connectors are dual-purpose XLR/1/4-in. jack combinations that

will accept either a typical, balanced microphone cable XLR connector or a typical,

musical instrument cable 1/4-in. jack connector.

Zero-latency Monitoring

One of the neatest features is the Mix control. This lets you blend the sound of anything

plugged into the Mbox with the playback from Pro Tools LE. This is ideal, especially

when overdubbing, to avoid the latency delay that normally appears when you monitor

inputs through the software (through A/D, the computer CPU, and then D/A) and back

out to the speakers—rather than monitoring straight from the source to the speakers.

Just mute the track to which you are recording in the Pro Tools LE software mixer so that

you don’t hear its delayed sound being monitored through the system. Then adjust the

Mix control to feed the incoming signal from the instrument you are recording directly

into the stereo mix. Et voila! There you have it—zero-latency monitoring.

Note

When you are using the Mbox hardware with Pro Tools LE software, there is no Low

Latency Monitoring option in the Operations menu. This is not needed, as the Mix

control effectively does the same thing.

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M-Audio 37-Key Audio/MIDI Interface and Controller Ozonic Manual de usuario Pagina 51