adapter as necessary. MIDI In and Out sockets are provided along with a pair of jack
sockets for sustain and expression pedals. There are four 1/4-in. audio output jacks, three
1/4-in. audio input jacks, an XLR socket with associated phantom power switch that you
can use to hook up any stage or studio microphone—and a headphone socket.
You get a cut-down version of Reason free with Ozonic to get you started. You also get a
software control panel that provides basic audio mixing and metering facilities. And now
that Avid/Digidesign owns M-Audio, you can buy Pro Tools M-Powered software to use
as the software front-end for Ozonic. This means that the files you record using Ozonic at
a gig, in the field or on the road can be session-compatible with full Pro Tools systems at
professional studios around the world.
FireWire 410 and FireWire 1814
The FireWire 410 has two balanced analog inputs and eight balanced analog outputs plus
two channels of S/PDIF I/O. You might choose this interface when you need to run
discrete output channels to independent mixer channels and other outboard gear, or to
provide separate outputs for surround monitoring. It has MIDI In and Out sockets, direct
hardware monitoring, and it is bus-powered with an optional low-voltage power input.
*insert FigAD_30-FireWire410front-back.jpg*
Figure D.30 FireWire 410 4-In/10-Out FireWire Mobile Recording Interface.
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